喜剧 / 短片

查理·卓别林

查理·卓别林 / 马克·斯旺 / Alice Davenport

　　Charlie is smitten with a man's wife in the park and makes up to her, only to be warned off severely by the husband (Ambrose). He makes his way drunkenly back to his hotel in pursuit of a pretty girl. He is rebuffed, and makes his way precariously up the stairs, staggering into various guests on the way. Charlie's room is opposite that of Ambrose and his wife, and when Charlie 　　Charlie is smitten with a man's wife in the park and makes up to her, only to be warned off severely by the husband (Ambrose). He makes his way drunkenly back to his hotel in pursuit of a pretty girl. He is rebuffed, and makes his way precariously up the stairs, staggering into various guests on the way. Charlie's room is opposite that of Ambrose and his wife, and when Charlie strays into their room by mistake he is quickly ejected. The wife walks in her sleep, straight into Charlie's room. He leads her back, but is trapped by Ambrose's retur

喜剧 / 爱情

马克斯·奥菲尔斯

Lien Deyers / Heinz Rühmann / Ida Wüst

　　To Max Ophüls this was an assignment (from the UFA), a pure routine job. One hardly recognizes the later Ophüls in this film (shortly made before his masterpiece "Liebelei"), but still Ophüls made this routine job into a well-paced, stylish and sometimes extremely funny romantic comedy; he probably could not do it any other way. The script is fine with some hilarious dialogue. 　　To Max Ophüls this was an assignment (from the UFA), a pure routine job. One hardly recognizes the later Ophüls in this film (shortly made before his masterpiece "Liebelei"), but still Ophüls made this routine job into a well-paced, stylish and sometimes extremely funny romantic comedy; he probably could not do it any other way. The script is fine with some hilarious dialogue. The use of the surnames of the characters is simple but clever.
　　Having Op